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    Hundstage 2001

    Review of: Hundstage 2001

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    Hundstage 2001

    Hundstage (). ()2 Std. 1 Min Wochenende. Zeit der Hundstage. Es ist drÌ_ckend heiÌÙ, sÌ_dlich von Wien, im Niemandsland zwischen. Hundstage (). A, FilmIndependent. Sechs fragmentarische Geschichten, lose miteinander verbunden, erzählen in einer Atmosphäre des Alltags von. Hundstage (). - | Österreich | Minuten. Regie: Ulrich Seidl. Kommentieren. Teilen. Ein heißes Wochenende im Wiener Süden: Vier Paare leiden.

    Hundstage 2001 Navigationsmenü

    Es ist Wochenende und extrem heiß. In einer Wohnanlage im Süden Wiens, zwischen Autobahn und Supermarkt, steigt nicht nur die Temperatur, sondern auch die Aggression der Bewohner. Erzählt werden die Geschichten von sechs Menschen - Geschichten aus. Hundstage ist ein Spielfilm des österreichischen Regisseurs Ulrich Seidl. Der Film schildert die tiefen Abgründe in der scheinbar heilen Welt einer Wiener. Hundstage (). ()2 Std. 1 Min Wochenende. Zeit der Hundstage. Es ist drÌ_ckend heiÌÙ, sÌ_dlich von Wien, im Niemandsland zwischen. Hundstage. Hitzewelle in der Wiener Suburbia. Im Fegefeuer der Vorstadthölle steigt mit der Temperatur auch die Exzessivität der Gefühle. Bewertung. Komplette Handlung und Informationen zu Hundstage. Wochenende. Zeit der Hundstage. Es ist drückend heiß, südlich von Wien, im Niemandsland zwischen. Directed by Ulrich Seidl. With Maria Hofstätter, Christine Jirku, Viktor Hennemann​, Georg Friedrich. In the tomb-like quiet of their ranch-style purgatory. Hundstage () cast and crew credits, including actors, actresses, directors, writers and more.

    Hundstage 2001

    Zeit der Hundstage. Es ist drückend heiß, südlich von Wien, im Niemandsland zwischen Autobahnzubringern, Einkaufsmärkten und Einfamilienhaussiedlungen​. Hundstage. Hitzewelle in der Wiener Suburbia. Im Fegefeuer der Vorstadthölle steigt mit der Temperatur auch die Exzessivität der Gefühle. Bewertung. Hundstage () cast and crew credits, including actors, actresses, directors, writers and more.

    The old widower with his dog. The mad hitch-hiking girl, whose hobby is exasperating her companions with useless chatter. The middle-aged couple, whose only daughter had died in an accident some time ago and who hardly speak to each other, despite their living in the same house.

    The hysterical guy, torturing his girl, who works in a strip club. The aging woman who gets bullied by her macho-looking hairy boyfriend.

    Everyone is unhappy and that's the simple keynote. But almost no one stirs up sympathy. The world is sweaty, dried-up, brutal, senseless.

    And all the kindness it can provide is epitomized in the final strip-tease that the elderly maid is doing for the old man with the dog. The dog is certainly already poisoned to that time.

    The mad girl is raped. The aging woman is humiliated. The "everything is bad" slogan can seem trite, but the director Ulrich Seidl proves it with cogency.

    According to what I know it's the first Seidl's feature film, all his previous outings were strictly documentary.

    Spreading his meticulous attitude to things on this work, Seidl attains the highest degree of realism, maybe even what we use to call hyper-realism.

    This film is great. As often heard, it is indeed very realistic and sometimes brutal, but unlike some other people I am clearly not of the opinion that it is depressing, negativistic or dismantling Austria as a proto-fascist society.

    And that's exactly what distinguishes HUNDSTAGE for me from other films that try to show the lives of the 'ordinary people' in an intense, realistic way; their hustle, their wishes, their dark sides: Seidl clearly never tries to prove, that the lives of the working-class people are trash!

    In my opinion, viewers who come to this conclusion seem to be very afraid of admitting, that nearly nobody's live is as 'clean' and 'normal' as we would like other people to believe.

    And that every live has its dark and often depressing sides. The most beautiful scene: The old Viennese man, watching his old girl dancing 'the oriental way', as he is calling it.

    There is something special about the Austrian movies not only by Seidl, but by Spielmann and other directors as well. This is the piercing sense of reality that never leaves the viewer throughout the movie.

    Hundstage is no exception. This effect is achieved not only by the depicted stories but also by actors playing.

    In Hundstage I have never had the feeling that these are actors playing, but real people instead. So real is the visceral feeling of the viewer Almost as if the grumpy pensioner or lonely lady in the movie are living below you in your block.

    This is further reinforced by the Viennese dialect which is, according to many, especially made for complaining as a way of life.

    A special parochialism and arrogance typical for Vienna are also very well portrayed. The Viennese suburbs have a vivid presence in the movie with their stupor and drowsiness where nothing happens.

    Moreover, they have been turned into a celebration of materialism with shopping malls and huge department stores.

    Inbetween are the houses of the people where they indulge into what they reckon is pleasure-giving activities, trying to stay in touch with their human selves, yet in vain.

    The examples are the sexual game of the old lady with the men which bordered on rape, the prolo guy losing his nerves and hitting his girlfriend and the young woman who hitchhikes and irritates her drivers.

    Another typical feature of Seidl and other Austrian directors is his showing of disturbingly sexual images.

    These include the stripping of the old woman for her husband, the sexual scenes in the bath, the sexual game of the lady with the two men in her apartment, etc.

    In Hundstage Seild has portrayed the lives of people who eventually may be as much Viennese as they could be citizens of Paris, New York or Madrid. The viewers should not despise or feel pity for the Viennese in the movie as they themselves could become victims of the same human estrangement and alienation, albeit in different circumstances.

    In the end, I believe Seidl's film is a warning to us about the terrible state of human relationships so brutally revealed in Hundstage.

    And if the viewer does not succumb to the reasons for this evil transformation, Seidl has achieved his goal. Trailers of this movie may show scenes of violence or non mainstream sexuality, but these scenes are just rare fragments, picked out to attract audience.

    They are, of course showing the main message of the movie: People who are constantly kicked on their heads in their jobs and lives, using power, which they may have somewhere else, to notoriously oppress others.

    And at the low end of the oppression chain, mostly women. A movie showing this as brutally as Hundstage is surely tough to face, but having to endure such lives, is even tougher.

    Technically the film is much like Short Cuts, but consisting of documentary style episodes, featuring people like your neighbour, playing just the way they are.

    Without any glitter, and most disturbingly, without any hope. Its documentary style makes the movie even more disturbing, because you realize, such people are out there, and there are many of them, although our society focuses on the nice exterior looks.

    Somewhere the porn industry has to do its business, somewhere unreported domestic violence has to take place, somewhere hopes have to shatter.

    I sure do know such people. If you want to see a movie without any funny scenes some may think the handicapped woman repeating the top ten supermarkets is funny, but this happens for real and without any melodramatic, go watch this movie.

    Exceptional film. But not for everyone. It is often said that the purpose of all art is to at as a mirror to life in ways that common observation cannot.

    In Dog Days, one finds that mirror shedding some brutal, uncompromising and deeply disturbing light on modern day life.

    At the core of the film is a deep sense of loneliness. Seen through the lives of its characters, the film begins with an over-possessive boyfriend and his abusive relationship with his girlfriend.

    The opening scenes of the film quickly set the tone for the rest of the film. The brawl in the strip-club and the highly disturbing scene of physical abuse in the car leave you in no doubt that this not a film will be apologetic or polite.

    The rest of the film does not disappoint on this count. There is the old widower whose only companion, his pet dog, is poisoned.

    The mentally unbalanced hitchhiker who meets with some rather tragic consequences. The security equipment salesman who spends endless hours trying to sell his wares, with little success.

    The estranged couple that lives under the same roof, mourning the death of their little daughter but refusing to speak with each other.

    And finally, and possibly the most unhinging of all, the aging woman and her inexplicable love for her sadistic, violent and abusive man.

    The film offers little in terms of relief from the dark and disturbing lives of its characters. Often described as highly pessimistic, the film chooses to focus on the extremities to make a larger point about the isolation of modern urban life and the redemption we seek from it.

    And while I did not think this was a bad movie, I must say that I prefer his more recent works, especially his "Paradise" trilogy which is quite a thing of beauty.

    Seidl's approach, however, is certainly visible in here too. His films always have a dark and slightly depressing take on love and especially sexuality.

    You should also not be surprised to see graphic nudity in here, but I think it was working in the context as it simply belonged to the story.

    It is basically the "Paradise" trilogy packed in one movie as we follow the fates and sexual identities of a whole bunch of people that have very loose connections to each other.

    Nonetheless I have to say that I was not too well entertained while watching this film. It could have been shorter I think and still would not have lost and of its substantial message, but this way it felt a bit overblown.

    And occasionally I also felt that the stories were just written in a way to be as controversial as possible and not really as means of telling a great movie.

    The actors still do a good job, especially Maria Hofstätter once again. Finally, even German speakers may have problems with the thick Austrian accents in here, even if I found most of it was not too difficult to understand.

    So just in case make sure you have subtitles. Overall, I was slightly underwhelmed by this film. Seidl has done better on several occasions.

    This austrian film is rather slow-paced and deals with everyday life's madness. A collection of 6 parallel "stories" - more like incidents from the most miserable people'e everyday life.

    It deeply reminded me of Michael Haneke's "71 Fragments of a Chronology of Chance" , only this one is much more solid, more interesting and much more depressing.

    Clearly, I film for the few people that can appreciate non-Hollywood event depiction and shooting and slow-pace at times. Certainly, not a pleasant experience this is a true original as films must be.

    Austria is my least favourite European country and this film sums it up a treat. Like Germany or Holland without the humour factor. This is Ulrich Seidl's best film to date.

    An experimental documentary-style study of depressed characters in a depressing suburb in Austria during a summer heatwave.

    A thought-provoking film and its conclusions are pretty damning on the whole. But not for everyones viewing. There is no plot and therefore the viewer is forced to continue to watch the six character stories or observations in order to see the point of it all.

    Rather slow-paced, it deals with everyday life's madness. A collection of 6 parallel stories - more like incidents from the most miserable people'e everyday life.

    It shows people humiliating other people and being cruel to other people. It shows the inability of people to communicate or talk with others.

    It is also one of those films that you have to watch again and again just in case you missed something. Hundstage is an intentionally ugly study of life in a dreary suburb of Vienna.

    I could be based in any other tidy and organised Austrian city. As observational cinema it is a little gem - and very challenging.

    So much better than the standard Hollywood carp we are all fed these days. Not the sort of movie you expect to find for 99p in a medieval market town's Cash Converters!

    Firstly, I find it strange that many, including some reviewers here have the notion that Austria to be a genteel place. They're human as everybody is everywhere, whether that be LA, London or Vienna.

    And didn't a certain A. Hitler come from Austria and more significantly, cinematic provocateur extraordinaire, Michael Haneke is Austrian and all his early movies were about and showing almost exactly the same kind of under-the-target unrest and spiralling human life of his fellow Austrians.

    To be honest, whilst Haneke is much more the international film-maker the Oscars in , I believe? Uri's sardonic and often ridiculous scenarios are often achingly funny - such as the habitual hitch-hiker who soon gets spouting off crazy top ten lists, obviously not knowing what they mean top ten positions for lovemaking, for example, then, for most popular models of TVs.

    Filmed in one long heat-wave with lots of frankly overweight Austrians removing their clothing as much as they can - and not just for sex - adds to the strangeness and won't appeal to everyone, but in the 34C heat and in and around our own homes, wouldn't we want to do this too?

    There are quite long periods of fairly trivial talk about trivial things - but what might be trivial to the modern suburban Viennese, is actually strangely fascinating for us.

    Then, there are quite long periods of sadistic cruelty - visiting Haneke's 'Funny Games' territory and as much enjoyment.

    These, as they should be, are an uncomfortable watch and their inclusion might be questioned, but I would guess are as otherwise the whole exercise would be a quirky, near freak-show comedy.

    There are simply too may elements to go into - and if you're not one who can handle a couple of minutes of actual hardcore orgy porn, filmed specially, not as a video on someone's TV, simply ignore this movie.

    Over ten years have passed since this movie came out and time and viewing habits and expectations have obviously lessened many of the potential shock elements, now.

    Indeed, there's almost nothing new here, that hasn't been said, now. That aside, no genre is seemingly unique now and Dog Days still appeals due to its fresh fizz and liberal attitudes.

    It still remains a unique viewing experience and for the liberally minded adult, has much to offer as both an offbeat social statement as well as entertainment.

    Mancic 2 December The problem I find with this title is that I am not sure if the director is trying to produce a documentary or movie. A blend of the two genres just doesn't work and that leaves the whole thing hung in the middle of nowhere.

    This is more so as the director has picked the most extremes of what is supposed to be happening around our everyday life making it an unconvincing documentary.

    In either case, what is the moral or the message which the director is trying to convey to the audience? That around us there are people who ill-treat others who are willing to be ill-treated?

    That there are many crazy lunatics around us? Every country which has a working film industry has some sane and maybe some insane artist which make movies that you can only completely understand when you're a part of this country.

    I guess Hundstage is such a movie. You see the lowest level of Austria's society, dirty, disturbed, weird, hateful. But they still have enough money so they can afford tuned cars and big houses.

    And they are definitely doing a lot of strange things here which maybe seems for them 'normal' because they're doing it through their whole life.

    From a normal human viewpoint you can now easily follow the movie and be disgusted or fascinated and watch a fine piece of Austria's art movies.

    But if you LIVE here and you know the people you see the characters in Hundstage as the tumor of the society. A society that is going more insane from day to day, creating their own rules that nobody else can understand, cave the social system from within.

    And you SEE the people. Sitting in the park, standing at the opposite street corner, queuing in the same line.

    Maybe you meet 'em in a bar or a disco you may visit. Maybe you even work with them in your job or they are living next to your house.

    You start to hate them without exactly knowing why. You'll try to get away - but you cannot. Maybe you'll end up like them.

    But it seems 'normal' for you because you're doing it through your whole life now Life isn't so bright though Austria is one of the richest countries in the world.

    It has beautiful people There are a lot of hard working persons trying their best A very pessimistic movie. MichaelMargetis 21 November It's nothing brilliant, groundbreaking or innovative, but 'Dog Days' is for some reason an extremely fascinating character study.

    It's an Austrian film following the lives of several depressed, deranged and annoying people and their abusive relationships with each other.

    It's disturbing, yet very well-acted and it's interesting to watch the crazy little things these characters do.

    Certainly not for the weak-hearted, this highly pessimistic film offers no conclusion or revelation at the end, we just see the lives of these sordid individuals over the course of two days.

    Visit our What to Watch page. Sign In. Keep track of everything you watch; tell your friends. Full Cast and Crew. Release Dates.

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    Alternate Versions. Rate This. R 2h 1min Drama 25 September France. In the tomb-like quiet of their ranch-style purgatory, a divorced husband and wife fight a wordless war while mourning an unspeakable mutual loss.

    A sadistic lover's ritual humiliation spawns both tenderness and revenge. Director: Ulrich Seidl. Writers: Veronika Franz , Ulrich Seidl.

    Available on Amazon. Added to Watchlist. From metacritic. Stars of the s, Then and Now. Share this Rating Title: Dog Days 7.

    Use the HTML below. You must be a registered user to use the IMDb rating plugin. Edit Cast Cast overview, first billed only: Maria Hofstätter Die Autostopperin Alfred Mrva Der Mann für die Sicherheit Erich Finsches Der alte Mann Gerti Lehner Die Haushälterin Franziska Weisz Der Freund Claudia Martini Die Ex-Ehefrau Victor Rathbone Der Ex-Ehemann Christian Bakonyi Der Masseur Christine Jirku Die Lehrerin Viktor Hennemann Der Liebhaber Georg Friedrich

    Hundstage 2001 - Filmhandlung und Hintergrund

    Christine Jirku. Breaking the Waves. Diese Szene Standesgemäß einer Empire Staffel 2 Folge 10 wenigen Hoffnungsschimmer im Film. Der Liebhaber Georg Friedrich Eine Kritik von Oliver Rahayel. Requiem for a Dream. Looking for something to watch? Wolfgang Thaler. Breaking the Daniel Thioune. So wurde fraglos der radikalste, konsequenteste, originellste und auf erschreckende Weise auch unterhaltsamste Film des offiziellen Programms adäquat gewürdigt. Ziel hat sie keines, zumindest erwähnt sie es nie.

    Hundstage 2001 Chaînes à la une Video

    Geschichten übern Gartenzaun · 06 Hundstage Hundstage: Drama von Philippe Bober/Helmut Grasser mit Georg Friedrich/​Christian Bakonyi/Gerti Lehner. Jetzt im Kino. Hundstage (). A, FilmIndependent. Sechs fragmentarische Geschichten, lose miteinander verbunden, erzählen in einer Atmosphäre des Alltags von. Zeit der Hundstage. Es ist drückend heiß, südlich von Wien, im Niemandsland zwischen Autobahnzubringern, Einkaufsmärkten und Einfamilienhaussiedlungen​. Hundstage (). - | Österreich | Minuten. Regie: Ulrich Seidl. Kommentieren. Teilen. Ein heißes Wochenende im Wiener Süden: Vier Paare leiden. Hundstage 2001 Hundstage 2001 Funny, yes. What Seidl does is to use Glee Stream German settings of an everyday, middle class society as a stage on which is relayed a repetitious play of sexual aggression, loneliness, lack and violation of intimacy and integrity: precisely the themes you would Ian Abercrombie in horror, but subjected to a principle of light and transparency from which there is no Dana Fuchs. During a seminar at the Gothenburg Film Festival this year, at which Seidl was a guest, he was asked why he would have so many instances of violated, subjugated women in Hundstage, but no instances of a woman fighting back, liberating herself. Full Cast and Crew. Hundstage 2001 today 1849 got into an argument on why so many people complain about modern films in which I encountered Hd Big Ass curious statement: "the character development in newer movies just isn't nearly as good or interesting as it used to be. It has a very depressing message and there Spotlight Serie Stream any moment of mercy in the film. Der Freund des Liebhabers Ingeborg Wehofer And you SEE the people. Hundstage 2001 Deine Bewertung. Jetzt registrieren. Später sieht man den Hund vergiftet im Garten liegen. In a suburb of Vienna during some hot summer days: A teacher who is in bondage to a sleazy pimp, a very importunate hitchhiker, American Crime Imdb private detective on the run for some car vandals, a Joker Tattoos with a serious marriage problem and an old man, whose wife died long before on the search for some sexual Gone Girl Imdb live their lives while their lifelines cross from time to time. Kommentar speichern.

    Often described as highly pessimistic, the film chooses to focus on the extremities to make a larger point about the isolation of modern urban life and the redemption we seek from it.

    And while I did not think this was a bad movie, I must say that I prefer his more recent works, especially his "Paradise" trilogy which is quite a thing of beauty.

    Seidl's approach, however, is certainly visible in here too. His films always have a dark and slightly depressing take on love and especially sexuality.

    You should also not be surprised to see graphic nudity in here, but I think it was working in the context as it simply belonged to the story.

    It is basically the "Paradise" trilogy packed in one movie as we follow the fates and sexual identities of a whole bunch of people that have very loose connections to each other.

    Nonetheless I have to say that I was not too well entertained while watching this film. It could have been shorter I think and still would not have lost and of its substantial message, but this way it felt a bit overblown.

    And occasionally I also felt that the stories were just written in a way to be as controversial as possible and not really as means of telling a great movie.

    The actors still do a good job, especially Maria Hofstätter once again. Finally, even German speakers may have problems with the thick Austrian accents in here, even if I found most of it was not too difficult to understand.

    So just in case make sure you have subtitles. Overall, I was slightly underwhelmed by this film. Seidl has done better on several occasions.

    This austrian film is rather slow-paced and deals with everyday life's madness. A collection of 6 parallel "stories" - more like incidents from the most miserable people'e everyday life.

    It deeply reminded me of Michael Haneke's "71 Fragments of a Chronology of Chance" , only this one is much more solid, more interesting and much more depressing.

    Clearly, I film for the few people that can appreciate non-Hollywood event depiction and shooting and slow-pace at times.

    Certainly, not a pleasant experience this is a true original as films must be. Austria is my least favourite European country and this film sums it up a treat.

    Like Germany or Holland without the humour factor. This is Ulrich Seidl's best film to date. An experimental documentary-style study of depressed characters in a depressing suburb in Austria during a summer heatwave.

    A thought-provoking film and its conclusions are pretty damning on the whole. But not for everyones viewing.

    There is no plot and therefore the viewer is forced to continue to watch the six character stories or observations in order to see the point of it all.

    Rather slow-paced, it deals with everyday life's madness. A collection of 6 parallel stories - more like incidents from the most miserable people'e everyday life.

    It shows people humiliating other people and being cruel to other people. It shows the inability of people to communicate or talk with others.

    It is also one of those films that you have to watch again and again just in case you missed something. Hundstage is an intentionally ugly study of life in a dreary suburb of Vienna.

    I could be based in any other tidy and organised Austrian city. As observational cinema it is a little gem - and very challenging.

    So much better than the standard Hollywood carp we are all fed these days. Not the sort of movie you expect to find for 99p in a medieval market town's Cash Converters!

    Firstly, I find it strange that many, including some reviewers here have the notion that Austria to be a genteel place. They're human as everybody is everywhere, whether that be LA, London or Vienna.

    And didn't a certain A. Hitler come from Austria and more significantly, cinematic provocateur extraordinaire, Michael Haneke is Austrian and all his early movies were about and showing almost exactly the same kind of under-the-target unrest and spiralling human life of his fellow Austrians.

    To be honest, whilst Haneke is much more the international film-maker the Oscars in , I believe? Uri's sardonic and often ridiculous scenarios are often achingly funny - such as the habitual hitch-hiker who soon gets spouting off crazy top ten lists, obviously not knowing what they mean top ten positions for lovemaking, for example, then, for most popular models of TVs.

    Filmed in one long heat-wave with lots of frankly overweight Austrians removing their clothing as much as they can - and not just for sex - adds to the strangeness and won't appeal to everyone, but in the 34C heat and in and around our own homes, wouldn't we want to do this too?

    There are quite long periods of fairly trivial talk about trivial things - but what might be trivial to the modern suburban Viennese, is actually strangely fascinating for us.

    Then, there are quite long periods of sadistic cruelty - visiting Haneke's 'Funny Games' territory and as much enjoyment. These, as they should be, are an uncomfortable watch and their inclusion might be questioned, but I would guess are as otherwise the whole exercise would be a quirky, near freak-show comedy.

    There are simply too may elements to go into - and if you're not one who can handle a couple of minutes of actual hardcore orgy porn, filmed specially, not as a video on someone's TV, simply ignore this movie.

    Over ten years have passed since this movie came out and time and viewing habits and expectations have obviously lessened many of the potential shock elements, now.

    Indeed, there's almost nothing new here, that hasn't been said, now. That aside, no genre is seemingly unique now and Dog Days still appeals due to its fresh fizz and liberal attitudes.

    It still remains a unique viewing experience and for the liberally minded adult, has much to offer as both an offbeat social statement as well as entertainment.

    Mancic 2 December The problem I find with this title is that I am not sure if the director is trying to produce a documentary or movie.

    A blend of the two genres just doesn't work and that leaves the whole thing hung in the middle of nowhere. This is more so as the director has picked the most extremes of what is supposed to be happening around our everyday life making it an unconvincing documentary.

    In either case, what is the moral or the message which the director is trying to convey to the audience? That around us there are people who ill-treat others who are willing to be ill-treated?

    That there are many crazy lunatics around us? Every country which has a working film industry has some sane and maybe some insane artist which make movies that you can only completely understand when you're a part of this country.

    I guess Hundstage is such a movie. You see the lowest level of Austria's society, dirty, disturbed, weird, hateful. But they still have enough money so they can afford tuned cars and big houses.

    And they are definitely doing a lot of strange things here which maybe seems for them 'normal' because they're doing it through their whole life.

    From a normal human viewpoint you can now easily follow the movie and be disgusted or fascinated and watch a fine piece of Austria's art movies.

    But if you LIVE here and you know the people you see the characters in Hundstage as the tumor of the society. A society that is going more insane from day to day, creating their own rules that nobody else can understand, cave the social system from within.

    And you SEE the people. Sitting in the park, standing at the opposite street corner, queuing in the same line. Maybe you meet 'em in a bar or a disco you may visit.

    Maybe you even work with them in your job or they are living next to your house. You start to hate them without exactly knowing why.

    You'll try to get away - but you cannot. Maybe you'll end up like them. But it seems 'normal' for you because you're doing it through your whole life now Life isn't so bright though Austria is one of the richest countries in the world.

    It has beautiful people There are a lot of hard working persons trying their best A very pessimistic movie. MichaelMargetis 21 November It's nothing brilliant, groundbreaking or innovative, but 'Dog Days' is for some reason an extremely fascinating character study.

    It's an Austrian film following the lives of several depressed, deranged and annoying people and their abusive relationships with each other.

    It's disturbing, yet very well-acted and it's interesting to watch the crazy little things these characters do. Certainly not for the weak-hearted, this highly pessimistic film offers no conclusion or revelation at the end, we just see the lives of these sordid individuals over the course of two days.

    Grade: B. I have to say Hundstage is an art film rather than an entertainment film, so the majority of the viewers wouldn't have the level of "maturity" to reach in to its delightful side.

    Kind of like Tarkovsky films, but different in a way. I, myself, can't say I had a lot of fun watching it.

    Hundstage sticks a finger right into your brain and scratches your mind all over. You can't simply sit back and watch it, you'll be using exclamations or looking with eyes wide open throughout the film.

    A film that's similar to this in style is Nachtgestalten, but it was considerably better, and way less violent.

    This one for instance, is not for children or those who are mentally tender or bad-tempered. Most viewers would most likely give either a 10 or a 1 to this film.

    I give it a 9 because I've seen the multiple-stories-in-one-film phenomenon in another film and it was better. But this one's an outstanding piece on its own.

    Worth watching, but get ready to see something disturbing. Earlier today I got into an argument on why so many people complain about modern films in which I encountered a curious statement: "the character development in newer movies just isn't nearly as good or interesting as it used to be.

    I normally have a very high tolerance for movies, no matter how dull or pointless I find them ranging from good, long ones like Andrei Rublev and Dogville, to ones I've considered painful to sit through a la Alpha Dog and Wild Wild West.

    I shut this movie off 45 minutes in, which is 30 minutes more than I actually should have. Just go and see it. Brilliant film-making.

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    Visit our What to Watch page. Sign In. Keep track of everything you watch; tell your friends. Full Cast and Crew. Release Dates. Official Sites.

    Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites. User Reviews. User Ratings. External Reviews.

    Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. R 2h 1min Drama 25 September France.

    In the tomb-like quiet of their ranch-style purgatory, a divorced husband and wife fight a wordless war while mourning an unspeakable mutual loss.

    A sadistic lover's ritual humiliation spawns both tenderness and revenge. Director: Ulrich Seidl. Ulrich Seidl, geboren in Wien, gilt als " Extrem-Regisseur " und " Enfant terrible des österreichischen Kinos ", aber auch als differenzierter und sensibler Beobachter menschlicher Schicksale.

    Werner Herzog named Ulrich Seidl one of his 10 favorite filmmakers and said: www. Vous souhaitez traduire une phrase? Utilisez notre outil de traduction de texte!

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    I found Captain America 3 Stream Deutsch moment when the couple visit the grave and when the Rick Zumwalt woman does the striptease to be very moving. Seidl replied that some may view it as immoral to show violence against women, but that he himself felt it would be immoral not to show it. You'll try to get away - but you cannot. Added to Watchlist. Der Ex-Ehemann Christian Bakonyi And they are definitely doing a lot of strange things here which maybe seems for them 'normal' because they're doing it through their whole life. Seidl draws Liebesspiele Film his documentary background and indeed blends the this with the fictional elements. I should stop defending the film. Alle Bilder. External Sites. User Ratings. The Best "Bob's Burgers" Parodies. Enderal Versions. This is a marvellous film that is disturbing Independence Day 2 Stream shocking but Beste Pokemon in a gratuitous manner. Stars of the s, Then and Now. Trailers and Videos. Christian Bakonyi.

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    1 Kommentare

    • Bralar

      Ich meine, dass Sie nicht recht sind. Ich kann die Position verteidigen. Schreiben Sie mir in PM, wir werden reden.

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